More Fascinating Connections (Manson and the CIA)
Posted: Sun Nov 10, 2019 10:25 am
For a long while, I've been intrigued by the prospect that the counterculture movement of the sixties was both spawned and propelled by U.S. intelligence in close collaboration with the Hollywood elite and the music industry--ostensibly for the purpose of undermining traditional American culture and, ultimately, for the purpose of gaining total control over the political apparatus in Washington. In a previous post, I recommended a book by Dave McGowan (available in full free on-line) which was the product of that author's lifetime of research into the origins of the "hippie" movement and the sequence of events through which its epicenter took shape, seemingly overnight, in a secluded suburb of Los Angeles known as Laurel Canyon. https://centerforaninformedamerica.com/ ... on-part-i/
In that book, the author provides a captivating account of how a staggeringly large number of would-be musicians were simultaneously drawn to that neighborhood as if by some invisible pied piper (many of whom had little or no prior musical background), only to be vaulted to the height of fame within a very short period of time. And how the sprawling, tunneled compounds that were occupied by this extensive community of squatters became a protected haven in which hallucinogenic drugs, Satanic ritualism, and pedophilia ran rampant. And how the neighborhood just happened to also be the location of a sprawling CIA installation replete with state-of-the-art film studio.
Based upon first-person accounts of people who were there, the book reveals a very creepy set of interconnections between a number of notable players: the CIA, with its early mind control experiments (e.g., "MK Ultra"), the Hollywood Elite, the music industry (including some very familiar names such as Jim Morrison--whose father just happened to be THE Admiral Morrison of the Gulf of Tonkin fame), Timothy Leary, and--of all people--Charles Manson and his stoned-out troupe of underage runaway girls. The author speculates that the counterculture phenomenon which swept the country in the early 60s was in fact a well-orchestrated "psy op" intended to galvanize support for the Vietnam war through "controlled opposition"--specifically by linking resistance to the war to a counterculture movement predicted to be especially disdainful to middle-class Americans of that era.
The book struck me--and continues to strike me--as providing a prescient glimpse into the origins of the modern Deep State and the methods by which it has succeeded in gaining control of the economic and political apparatus in the United States. Their methods, it seems, have been fairly consistent throughout the years: the spread of disinformation, the use of "mind control" technologies (most notably drugs) on susceptible populations, and the use of "control files" capable of blackmailing literally anyone. And their preferred currency, and tool of extortion, has always been children.
In today's news, I noticed that a new book has come out which focuses on the connections between Charles Manson, the Manson family, and the CIA. https://www.activistpost.com/2019/11/re ... ywood.html It's likely to be an eye-opener, especially if read in conjunction with Dave McGowan's earlier work.
I'd love to get a discussion going on this subject, as I think it is the key to literally everything that is going on.
In that book, the author provides a captivating account of how a staggeringly large number of would-be musicians were simultaneously drawn to that neighborhood as if by some invisible pied piper (many of whom had little or no prior musical background), only to be vaulted to the height of fame within a very short period of time. And how the sprawling, tunneled compounds that were occupied by this extensive community of squatters became a protected haven in which hallucinogenic drugs, Satanic ritualism, and pedophilia ran rampant. And how the neighborhood just happened to also be the location of a sprawling CIA installation replete with state-of-the-art film studio.
Based upon first-person accounts of people who were there, the book reveals a very creepy set of interconnections between a number of notable players: the CIA, with its early mind control experiments (e.g., "MK Ultra"), the Hollywood Elite, the music industry (including some very familiar names such as Jim Morrison--whose father just happened to be THE Admiral Morrison of the Gulf of Tonkin fame), Timothy Leary, and--of all people--Charles Manson and his stoned-out troupe of underage runaway girls. The author speculates that the counterculture phenomenon which swept the country in the early 60s was in fact a well-orchestrated "psy op" intended to galvanize support for the Vietnam war through "controlled opposition"--specifically by linking resistance to the war to a counterculture movement predicted to be especially disdainful to middle-class Americans of that era.
The book struck me--and continues to strike me--as providing a prescient glimpse into the origins of the modern Deep State and the methods by which it has succeeded in gaining control of the economic and political apparatus in the United States. Their methods, it seems, have been fairly consistent throughout the years: the spread of disinformation, the use of "mind control" technologies (most notably drugs) on susceptible populations, and the use of "control files" capable of blackmailing literally anyone. And their preferred currency, and tool of extortion, has always been children.
In today's news, I noticed that a new book has come out which focuses on the connections between Charles Manson, the Manson family, and the CIA. https://www.activistpost.com/2019/11/re ... ywood.html It's likely to be an eye-opener, especially if read in conjunction with Dave McGowan's earlier work.
I'd love to get a discussion going on this subject, as I think it is the key to literally everything that is going on.